Aparicio, Frances R., Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (Hanover, NH: Wesleyan University Press, 1998), 65-67, 92-93.
Entries by Anna Kijas (“Fania Records”), Raúl Fernández (“Salsa”), Gregory McNamee (“Pacheco, Johnny”), in Latin Music: Musicians, Genres, and Themes, ed. Ilan Stavans (Santa Barbara, CA: Greenwood, 2014), 1:261-63, 2:585-87, 2:693-98..
Essays by Wilson A. Valentín Escobar, Robin Moore, Medardo Arias Satizábal, Christopher Washburne, and Lise Waxer, in Situating Salsa: Global Markets and Local Meanings in Latin Popular Music, ed. Lise Waxer (New York: Routledge, 2002), 3-4, 58, 62, 102, 176, 226-29, 254.
Flores, Juan, Salsa Rising: New York Latin Music of the Sixties Generation (New York: Oxford University Press, 2016), 100, 103-4, 109-10, 178, 182-95, 217.
Manuel, Peter, with Kenneth Bilby and Michael Largey, Caribbean Currents: Caribbean Music from Rumba to Reggae (Philadelphia: Temple University Press, 2006), 90-95, 103-4, 106.
Marks, Morton, “The East Harlem Music School: Music of the Urban Caribbean,” report prepared for the Ethnic Heritage and Language Schools Project, American Folklife Center, Library of Congress, July 1982, www.loc.gov/item/afc1993001_22_001/.
Palmieri, Eddie, interview conducted by the Library of Congress, April 12, 2021, www.loc.gov/static/programs/national-recording-preservation-board/documents/Interview_Eddie-Palmieri.pdf.
Roberts, John Storm, The Latin Tinge: The Impact of Latin American Music on the United States (New York: Oxford University Press, 1999), 144-45, 155, 160-64, 166, 172, 186-88, 209, 220, 223-24.
Rondón, César Miguel, A Chronicle of Urban Music from the Caribbean to New York City, trans. Frances R. Aparicio (Chapel Hill: University of North Carolina Press, 2008), 9, 38-43, 47, 52-53, 60, 64, 95, 100, 103-4.
Waring, Charles, “Fania Records: How a New York Label Took Salsa to the World,” published January 13, 2021, www.udiscovermusic.com/stories/fania-records-story/.